Ellsworth Kelly:
STATES OF THE RIVER
June 29 - October 29, 2023
With the exhibition, States of The River, Edward Hopper House Museum & Study Center is pleased to join the Ellsworth Kelly Studio and other U.S. museums and venues in celebrating the centennial of the birth of Ellsworth Kelly (1923-2015), widely regarded as one of the most important painters, sculptors, and printmakers of his time. On Thursday, June 29, the Edward Hopper House Museum & Study Center, Nyack, NY, will unveil the exhibition, Ellsworth Kelly: States of the River, featuring nine lithographs by Ellsworth Kelly (1923–2015) created between 2004 and 2005 and printed at Gemini G.E.L., Los Angeles.
With the exhibition, States of The River, Edward Hopper House Museum & Study Center is pleased to join the Ellsworth Kelly Studio and other U.S. museums and venues in celebrating the centennial of the birth of Ellsworth Kelly (1923-2015), widely regarded as one of the most important painters, sculptors, and printmakers of his time. On Thursday, June 29, the Edward Hopper House Museum & Study Center, Nyack, NY, will unveil the exhibition, Ellsworth Kelly: States of the River, featuring nine lithographs by Ellsworth Kelly (1923–2015) created between 2004 and 2005 and printed at Gemini G.E.L., Los Angeles.
Ellsworth Kelly, States of “The River” 2005, Suite of eight lithographs on Arches cover, Edition of 25, Each sheet: 45 1/4 x 32 inches (114.9 x 81.3 cm)
Overall size framed: 47 x 284 inches (1.19 x 7.21 m)
The exhibition takes its name from a series of large-scale one color lithographs by Kelly dedicated to the motif of rivers around the world. Printed in black, with white highlights coming forth from the Rives BFK paper surface, eight large scale prints are each titled after a major waterway: the Rhine; Nile; Thames; Amazon; Seine; Yangtze; Mississippi; and Hudson. At the Edward Hopper House Museum, this group is joined by The River, a lithograph measuring just over nine feet in length. The large format gives the images a sweeping presence as well as an equivalency to Kelly’s hallmark clean lines and color field paintings and sculptures.
Ellsworth Kelly, The Yangtze, 2005, Lithograph on Rives BFK paper 40 ✕ 32 inches
The River lithographs were influenced by work Kelly created while living in Paris between 1948 and 1954. This formative period in the artistic development of the Newburgh, NY native was marked by a fascination for color and form found in nature and the play of light and shadow on the wavering surface of water. More than 50 years later the ever inquisitive Kelly, then in his eighties, rekindled interest in his earlier Parisian investigations. Beginning with 4 x 6 inch postcards, the idea spawned into eleven related but distinct works, ranging from these one color lithographs to a wall sculpture.
Photos at Gemini G.E.L. Los Angeles © Sidney Felson, courtesy Ellsworth Kelly Studio; Artwork © Ellsworth Kelly Foundation
“For the Ellsworth Kelly Centennial Celebration, we thought it was important to feature Kelly’s masterful and sensitively rendered prints within the birthplace and childhood home of another influential and celebrated American artist,” said Edward Hopper House Museum director Kathleen Motes Bennewitz. “Moreover, both artists, working in their own distinct style and manner, mastered printmaking and were equally captivated by rivers and the interaction of light on the water’s surface.”
As a youth, Edward Hopper (1882-1967) was drawn to the banks of the Hudson and enjoyed direct views of the river from his home, as visitors can still do today. In adulthood, the aspiring artist was also fascinated by the Seine in Paris, where he visited three times between 1906 and 1910. Like Kelly, it was in the ‘City of Light’ where Hopper studied the dramatic contrast between light and dark on swirling and hard surfaces and became fascinated with geometric shapes and symbolist themes. Each artist came to distill these most essential features of the natural world into their mature work.
As a youth, Edward Hopper (1882-1967) was drawn to the banks of the Hudson and enjoyed direct views of the river from his home, as visitors can still do today. In adulthood, the aspiring artist was also fascinated by the Seine in Paris, where he visited three times between 1906 and 1910. Like Kelly, it was in the ‘City of Light’ where Hopper studied the dramatic contrast between light and dark on swirling and hard surfaces and became fascinated with geometric shapes and symbolist themes. Each artist came to distill these most essential features of the natural world into their mature work.
This exhibition held in honor of the Ellsworth Kelly Centennial with loans courtesy of Jack Shear, is made possible, in part, with generous support from Victoria Hertz & Rod Greenwood and funds provided by the New York Council on the Arts Support for Operations grant.
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ABOUT THE ELLSWORTH KELLY CENTENNIAL
Ellsworth Kelly (1923–2015) is widely regarded as one of the most important painters, sculptors, and printmakers of his time. On the occasion of his May 31 Centennial, a year-long celebration will showcase the artist’s indelible legacy. This collaborative event will include exhibitions and installations at the Art Institute of Chicago, Glenstone Museum, and the Museum of Modern Art, among others; new publications; multiple gifts of artworks to museums; grant awards from the Ellsworth Kelly Foundation; a scholarly symposium; and new digital initiatives to ensure that Kelly’s legacy endures for another 100 years, and beyond.
Ellsworth Kelly (1923–2015) is widely regarded as one of the most important painters, sculptors, and printmakers of his time. On the occasion of his May 31 Centennial, a year-long celebration will showcase the artist’s indelible legacy. This collaborative event will include exhibitions and installations at the Art Institute of Chicago, Glenstone Museum, and the Museum of Modern Art, among others; new publications; multiple gifts of artworks to museums; grant awards from the Ellsworth Kelly Foundation; a scholarly symposium; and new digital initiatives to ensure that Kelly’s legacy endures for another 100 years, and beyond.
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