Hopper/Hammershøi
Paintings by Michael Banning
Curated by Kirsten Jensen
September 6, 2019 – December 1, 2019
Members Opening & Reception: Thursday, September 5, 2019
September 6, 2019 – December 1, 2019
Members Opening & Reception: Thursday, September 5, 2019
Exploring the shared elements of the work of Danish artist Vilhelm Hammershøi and Edward Hopper, Banning’s paintings visualize the affinity between these two artists and their influence on his own work.
Hammershøi lived from 1864 - 1916, and worked primarily in Copenhagen. Known for his mysterious paintings of spare domestic interiors focusing on specific qualities of light and lone figures, his work has been often compared to Hopper's, both in terms of subject matter and psychological resonance. Although there is no proof that Hopper was directly influenced by Hammershøi's work, it is difficult to ignore the connections between their treatment of light and figures in interior spaces.
Banning’s project concentrates on those works of both artists that specifically use interior space to foreground light and space as subject - without the presence of human figures. While much of Hammershøi's work falls into this category, there are two Edward Hopper paintings that Banning feels specifically relate to this narrow focus. These paintings are Rooms by the Sea, 1951, and Sun in an Empty Room, 1963. In both of these works, devoid of figures, contemplation of the shapes of sunlight within the room becomes the main subject of the work.
Hammershøi lived from 1864 - 1916, and worked primarily in Copenhagen. Known for his mysterious paintings of spare domestic interiors focusing on specific qualities of light and lone figures, his work has been often compared to Hopper's, both in terms of subject matter and psychological resonance. Although there is no proof that Hopper was directly influenced by Hammershøi's work, it is difficult to ignore the connections between their treatment of light and figures in interior spaces.
Banning’s project concentrates on those works of both artists that specifically use interior space to foreground light and space as subject - without the presence of human figures. While much of Hammershøi's work falls into this category, there are two Edward Hopper paintings that Banning feels specifically relate to this narrow focus. These paintings are Rooms by the Sea, 1951, and Sun in an Empty Room, 1963. In both of these works, devoid of figures, contemplation of the shapes of sunlight within the room becomes the main subject of the work.
RELATED PROGRAMS:
Images
|
Images may be downloaded, reproduced, and published by members of the press for the sole purpose of creating or supporting timely news stories related to the Edward Hopper House and its exhibitions, programs, and events. Use of the press images for any other purpose requires the additional prior permission of the Edward Hopper House and may also require the additional prior permission of third-party rights holders. Obtaining these permissions is the sole responsibility of the press user. Press images may not be downloaded, reproduced, or published by commercial stock houses or archives under any circumstances. Press images must be reproduced in their entirety, and must include the identifying information provided by the Edward Hopper House, collection information, credit lines, and copyright. Images may not be cropped, detailed, overprinted, or altered without prior approval.
|
Credit for all images: Courtesy of the Artist
For HIGHER-RES images, please contact [email protected] |
